Tuesday, 13 December 2016
Monday, 12 December 2016
Tuesday, 6 December 2016
Monday, 21 November 2016
Music Video Progression Screening (Focus Group)
Postives:
- Story line made perfect sense
- Editing (Outline & Text effects)
- Shot transitions
- Camera quality (Quiet good exposure)
Negatives:
- Lip-sync slightly off in some shots
- Text effect font looks slightly feminine so change it to something more appropriate
- Continue the line effect in all of the parts captured in the studio
Thursday, 10 November 2016
Editing Experience
Editing Experience:
Firstly, today we started editing the first clips that we had recorded on Friday in the studio. This was done in the editing suite of the college using premiere pro. In this we had the first verse of the track extracted and put onto premiere pro to be further edited. eg: The Lighting when recording we felt was very good and clear on the actor, The camera and angles shoots we took we clear and very direct, The Costume of the actor we used suited the song type.From the feedback from our peers the main issue came specifically from the editing standpoint as the lip syncing was slightly off cue. Furthermore, we was told to concentrate on the lips syncing before adding any effect because the lip syncing wasn't linked up as well as it could have been at that point in time. Overall Experience of Editing was very intense but fulfilling when we achieved the desired outcome as a group.
Firstly, today we started editing the first clips that we had recorded on Friday in the studio. This was done in the editing suite of the college using premiere pro. In this we had the first verse of the track extracted and put onto premiere pro to be further edited. eg: The Lighting when recording we felt was very good and clear on the actor, The camera and angles shoots we took we clear and very direct, The Costume of the actor we used suited the song type.From the feedback from our peers the main issue came specifically from the editing standpoint as the lip syncing was slightly off cue. Furthermore, we was told to concentrate on the lips syncing before adding any effect because the lip syncing wasn't linked up as well as it could have been at that point in time. Overall Experience of Editing was very intense but fulfilling when we achieved the desired outcome as a group.
Wednesday, 19 October 2016
Friday, 14 October 2016
Location Changes
Due to the inconvenience of westfield having a very popular football matching going on the same time when we would have like to have been recording we are not able to record there anymore. However we have come up with a plan B in which we will be recording in ilford Exchange which also has assess to escalators that plays a big role in the narrative of the filming.
Thursday, 13 October 2016
Wednesday, 12 October 2016
Tuesday, 11 October 2016
Monday, 10 October 2016
Ideas For Video
Actors:
For our music video we was planning to require a male actor and as well as a female actor to feature in the video.
Location:
The video would take place in a variety of location in the video that would result in a variety of cuts.
Props:
· Phone
· Casual clothing
· T-shirt
· Jeans
· blazers
· Wallet
For our music video we was planning to require a male actor and as well as a female actor to feature in the video.
Location:
The video would take place in a variety of location in the video that would result in a variety of cuts.
Props:
· Phone
· Casual clothing
· T-shirt
· Jeans
· blazers
· Wallet
Risk Assessment Hyde Park
Risk Assessment
Production
Title: Jahkoy - Poison
Crew
Director’s: Ismail Parlakbudak, Ashelle Tuitt, Joshua Michael
Cinematographer’s:
Ismail Parlakbudak, Ashelle Tuitt, Joshua Michael
Address of
shoot: Hyde Park, London
Date:
11/10/16
The
following potential risks / hazards might be present:
Floor space, Tripping hazards, low
lighting, adverse weather / temperatures, Electrical cords and sockets,
Flammable materials, Crowds Fatigue, Traffic, Animals, Scaffolding / working at
height, Stunts / dangerous activities, Water
Where
present, please list them below:
|
Risk / Hazard identified
|
People affected
|
Existing controls
|
Action to be taken to reduce risk or
hazard
|
||
|
Cords
|
Everyone
Involved (Cast and Crew)
|
Cable
Management
|
Upgrade
the original Cable management and keep the set as tidy as possible.
|
||
|
Trip
Hazards
|
Everyone
Involved (Cast and Crew)
|
No
Existing Controls
|
Setup
Tables and cover which will cover up the hazards so the cast don’t get
injured.
|
||
|
Electrical
Supplies
|
Everyone
Involved (Cast and Crew)
|
Cover
Ups and no open cords.
|
Make
sure all electrical inputs are covered up and all safety needs are met.
|
||
|
Fatigue
|
Cast
|
No
Existing Controls
|
Seats
will be placed and regular refreshment breaks will be given to all cast and
crew.
|
||
|
Damage
to Expensive Hardware
|
Everyone
Involved (Cast and Crew)
|
No
Existing Controls
|
Equipment
will only be used when needed and all safety needs are met.
|
||
|
Pedestrians
and Customers
|
Everyone
Involved (Cast, Crew and Pedestrians)
|
No
Existing Controls
|
Not
to go at peak times to record. Only go at times when there is few people.
|
||
|
Water
and Spilled Fluids
|
Everyone
Involved (Cast, Crew and Pedestrians)
|
Hazard
Waring Cones
|
To
no keep fluids near the equipment and clear the scence before and after
recordings
|
||
Risk Assessment Westfield
Risk Assessment
Production
Title: Jahkoy - Poison
Crew
Director’s: Ismail Parlakbudak, Ashelle Tuitt, Joshua Michael
Cinematographer’s:
Ismail Parlakbudak, Ashelle Tuitt, Joshua Michael
Address of
shoot: Westfield, Montfichet Rd, London E20 1EJ
Date:
11/10/16
The
following potential risks / hazards might be present:
Floor space, Tripping hazards, low
lighting, adverse weather / temperatures, Electrical cords and sockets,
Flammable materials, Crowds Fatigue, Traffic, Animals, Scaffolding / working at
height, Stunts / dangerous activities, Water
Where
present, please list them below:
|
Risk / Hazard identified
|
People affected
|
Existing controls
|
Action to be taken to reduce risk or
hazard
|
||
|
Cords
|
Everyone
Involved (Cast and Crew)
|
Cable
Management
|
Upgrade
the original Cable management and keep the set as tidy as possible.
|
||
|
Trip
Hazards
|
Everyone
Involved (Cast and Crew)
|
No
Existing Controls
|
Setup
Tables and cover which will cover up the hazards so the cast don’t get
injured.
|
||
|
Electrical
Supplies
|
Everyone
Involved (Cast and Crew)
|
Cover
Ups and no open cords.
|
Make
sure all electrical inputs are covered up and all safety needs are met.
|
||
|
Fatigue
|
Cast
|
No
Existing Controls
|
Seats
will be placed and regular refreshment breaks will be given to all cast and
crew.
|
||
|
Damage
to Expensive Hardware
|
Everyone
Involved (Cast and Crew)
|
No
Existing Controls
|
Equipment
will only be used when needed and all safety needs are met.
|
||
|
Pedestrians
and Customers
|
Everyone
Involved (Cast, Crew and Pedestrians)
|
No
Existing Controls
|
Not
to go at peak times to record. Only go at times when there is few people.
|
||
|
Water
and Spilled Fluids
|
Everyone
Involved (Cast, Crew and Pedestrians)
|
Hazard
Waring Cones
|
To
no keep fluids near the equipment and clear the scence before and after
recordings
|
||
Risk Assessment Studio
Risk Assessment
Production
Title: Jahkoy - Poison
Crew
Director’s: Ismail Parlakbudak, Ashelle Tuitt, Joshua Michael
Cinematographer’s:
Ismail Parlakbudak, Ashelle Tuitt, Joshua Michael
Address of
shoot: Studio; Leyton Sixth Form College E10 6EQ
Date:
11/10/16
The
following potential risks / hazards might be present:
Floor space, Tripping hazards, low
lighting, adverse weather / temperatures, Electrical cords and sockets,
Flammable materials, Crowds Fatigue, Traffic, Animals, Scaffolding / working at
height, Stunts / dangerous activities, Water
Where
present, please list them below:
|
Risk / Hazard identified
|
People affected
|
Existing controls
|
Action to be taken to reduce risk or
hazard
|
|
Cords
|
Everyone
Involved (Cast and Crew)
|
Cable
Management
|
Upgrade
the original Cable management and keep the set as tidy as possible.
|
|
Trip
Hazards
|
Everyone
Involved (Cast and Crew)
|
No
Existing Controls
|
Setup
Tables and cover which will cover up the hazards so the cast don’t get
injured.
|
|
Electrical
Supplies
|
Everyone
Involved (Cast and Crew)
|
Cover
Ups and no open cords.
|
Make
sure all electrical inputs are covered up and all safety needs are met.
|
|
Fatigue
|
Cast
|
No
Existing Controls
|
Seats
will be placed and regular refreshment breaks will be given to all cast and
crew.
|
|
Damage
to Expensive Hardware
|
Everyone
Involved (Cast and Crew)
|
No
Existing Controls
|
Equipment
will only be used when needed and all safety needs are met.
|
Thursday, 6 October 2016
Thursday, 29 September 2016
Friday, 23 September 2016
Media Case Study: Drake - Started From The Bottom
Drake - Started From The Bottom:
Synopize of Video : In the video the main rapper is called Drake whos real name is Aubrey Drake Graham, born in Toronto Canda. The main idea behind the video is to make explict the upbringing the rapper had a how hard it was for him. But, no matter the odds he rose through them and go to the top of the food chain.
Representation of Star : Drake's life is shown in flashbacks as he is working at a store in one shot and driving Bentleys and partying in mansions in the others. This is create a visual image for the audience to show how hard he worked and where he came from.
Camera Angles:
Meduim Shot
Low Shot
Birds eye
Close up
Left to Right Pan
Up to Down Pan
Extreme Close Up
Extreme Distance Shot
Lip syncing: During this video the artist is lip syncing so the music is most probably coming from the behind him so the music and audio that's being played over this is a effective of being able to allow the artist to show more facial expression in the video. Also this create a idea of Drake reaching out to the viewers as a aim of his video is to inspire people to work hard and get to the top of their respected food chains.
Editing :
Song Audio and Voice Audio
Fast Paced Cutting
Flashbacks
Lots of Small Clips Bundled Together
Fake Snow
Confenti
Fake Store backgroud noise
Extra : The useages of SFX are the fake snow in the bentley scene which is suppose to show how cold Canda is and the harshness of Drakes childhood as he had to suffer that weather. But it can also be seen as a showing of wealth and power as Drake gets what he wants.
Ideas:
The overall idea of inspring the audience
Media Case Study: Chip - Peri Peri Sauce
Chip - Peri Peri Sauce:
Synopize of Video : In the video the main rapper called Chipmunk but is now known as Chip whom has been receiving a lot of negative comments from other rapper in there videos because of how he went from Grime music to Pop music back to Grime. In this video he decides to reply to to the negative comments of a rapper called "Yungen" whom 'attacked' Chip in a diss track. In which he stated that Chip is a liar and hes isnt about the life of a Grime artist. In this video Chip makes explcit that he is too hot to handle which is why the song is called peri peri which is a reference to the sauce in Nando's.
Representation of Star : Chip is with his Crew at a Nandos whilst him and his crew eat he is replying to Yungen. The fact that he is at Nandos creates a mocking image to the video with a hint of Yungen not being on the level of Chip in his personal ideolgy.
Camera Angles:
Meduim Shot
Low Shot
Birds eye
Close up
Left to Right Pan
Up to Down Pan
Extreme Close Up
Lip syncing: During this video the artist is lip syncing so the music is most probably coming from the behind him so the music and audio that's being played over this is a effective of being able to allow the artist to show more facial expression in the video.
Editing :
Graphics
Fast Paced Cutting
Lighter Camera Tone
Lots of Small Clips Bundled Together
Extra : The useages of SFX are the fade in at the start of the video and the logo aswell. Also the constant fast paced cuts aswell.
Ideas:
closes ups of the artist to show there emotion and passion for the music.
Shots of the crew having fun
Mocking undertone
Media Case Study: Sean Paul - She Doesn't Mind
Sean Paul - She Doesnt Mind:
Synopize of Video : In the video the main singer is called Sean Paul who is at a Airport waiting for a female to arrive whom is in possesion of a USB drive with higly valuable data. The overall aim of the video is a act of seduction in which Sean Paul comes out victoruis as he gets the USB
Representation of Star : Sean Paul is presented as a womanizer as he is surrounded with extremly attractive women whom are dressed in a seductive fashion. Yet a direct juxtapostion occurs as he only want a certian female even though many just a beautiful women are around him. Which presentes him as loyal and loving.
Camera Angles:
Meduim Shot
Over the Shoulder
Group Shot
Low Shot
Birds eye
Close up
Left to Right Pan
Up to Down Pan
Extreme Close Up
Extreme Distance Shot
Lip syncing: During this video the artist is lip syncing so the music is most probably coming from the behind him so the music and audio that's being played over this is a effective of being able to allow the artist to show more facial expression in the video. Also this draws more attention to the choreography and the dancing which again adds to the idea of Sean Paul being a womanizer and a smooth talker. As he has the 'Moves' to chram.
Editing :
Dances
Fast Paced Cutting
Choreography
Lots of Small Clips Bundled Together
Texting
Time Zone
On Screen Text
Information Text
Extra : The useages of SFX are the the on screen texts, of texting and context. Which gives the audinece a understanding to the plot of the music video and also acts a visual aid.
Ideas:
On Screen Text, give context
Texting Text, i may uses to the show the audience what is going through the head of my artits
Thursday, 22 September 2016
Jay Silva - No Way Lyrics
Jay Silva - No Way
[INTRO]
Ah aye aye
Ah aye aye
No no no
No no no
[VERSE 1]
You might see me in a benz
You might see me in a bemmar
My niggers be smoking on crow
We do this shit since the beginning
When the baddest bitch see this money she’ll always be
counting on we
I got the whole world in my palms why you keep bragging on
me
[PRE HOOK]
We G’d up, all my niggers be G’s up
Smoking on bands with trees up
Broke boy yo gotta ease up
Aye yo girl easy now
You’re messing with the original
She said she don’t want a criminal
Fuck outta here you don’t please me now
Aye
[HOOK]
I’m getting my P’s up
She wanna rock with a winner
In the foreign I’m cursing
She wanna rock with a winner
Tell a bitch no no no way
No no way
Tell a bitch no no no way
No no way
I’m getting my P’s up
She wanna rock with a winner
In the foreign I’m cursing
She wanna rock with a winner
Tell a bitch no no no way
No no way
Tell a bitch no no no way
No no way
[VERSE 2]
They hate cause my stacks on a million
They hate cause my swags on a trillion
They hate cause my flows on a platinum
They hate cause my swags on a maximum
I stack money like a donkey
I don’t give a Jack like a Wilshire
I’m getting money re-occuring
I’m the only man in the city with the sterling
[PRE HOOK]
We G’d up, all my niggers be G’s up
Smoking on bands with trees up
Broke boy yo gotta ease up
Aye yo girl easy now
You’re messing with the original
She said she don’t want a criminal
Fuck outta here you don’t please me now
Aye
[BERAK]
Ah aye aye
No no no
No no no
No way no way
No way no way
No way no way
No
[HOOK]
I’m getting my P’s up
She wanna rock with a winner
In the foreign I’m cursing
She wanna rock with a winner
Tell a bitch no no no way
No no way
Tell a bitch no no no way
No no way
I’m getting my P’s up
She wanna rock with a winner
In the foreign I’m cursing
She wanna rock with a winner
Tell a bitch no no no way
No no way
Tell a bitch no no no way
No no way
[OUTRO]
(No no no no)
No no no no
(No no no no)
No no no no
Jay Silva, Jay Silva
No no way
No no way
No no way
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